Entertainment

In the evolving landscape of modern technology, few voices sound as alarmed as Ari Aster’s when addressing the rapid ascent of artificial intelligence. His candid concerns aren’t mere skepticism; they expose a deeper anxiety about losing control over the tools and forces we blindly usher into our world. Despite Hollywood’s typically polished veneer of innovation,

The UK government’s response to the Culture, Media & Sport Committee’s (CMSC) demands reveals a troubling reluctance to adapt and bolster the country’s creative sectors. While the CMSC’s proposal to elevate the high-end TV tax credit—an initiative that has successfully energized Britain’s television industry—was met with initial enthusiasm, the subsequent bureaucratic hesitance exposes a deeper,

Hollywood has long been perceived as a land of dreams and talent, a place where stars are born through skill and perseverance. Yet beneath this glittering facade lies a disturbing reality—the pervasive abuse of power, exploitation, and silence that silence brave voices like Charlize Theron’s. Her recounting of a past traumatic encounter with a director

In recent years, television dramas like Jimmy McGovern’s latest work, *Unforgivable*, have promised to shed light on the dark truths of abuse and systemic failure. While these portrayals can be compelling, they often serve more as sensationalized entertainment than as catalysts for meaningful societal change. The recent focus on characters who grapple with trauma and

Cynthia Erivo’s transition from lauded Broadway star and multiple Oscar nominee to a film producer signals a courageous and necessary expansion of her artistic influence. With the upcoming adaptation of Adrian Tchaikovsky’s *Saturation Point*, a sci-fi action thriller, Erivo is not settling for the conventional. Instead, she’s embracing a genre that often sidelines nuanced storytelling

In a box office landscape increasingly dominated by gargantuan studio productions, the struggles and triumphs of independent films reveal an uneven and fiercely competitive environment. Recent releases illustrate this dilemma vividly: while A24’s *Sorry, Baby* emerged as a shining beacon of creative success, its limited yet impressive performance underscores the uphill battle faced by indie

In the long shadow of the James Bond franchise’s evolution, Matthew Goode’s candid reflection on his failed attempt to redefine 007 reveals an intriguing, yet overlooked, possibility. Goode’s vision for Bond—inspired by Ian Fleming’s original literary creation—was unapologetically raw: a deeply troubled man, grappling with addiction, self-loathing, and a bitter contempt for many around him.

The 36th edition of Sunny Side of the Doc capped off an intense four days in La Rochelle, a modest fishing town that temporarily bustled with innovation and collaboration. Unlike many festivals that get lost in a sea of content or self-congratulatory hype, Sunny Side has carved a niche as a crucible for documentary storytelling’s

Denis Villeneuve’s appointment as the director of the next James Bond installment is not just a surprising twist in Hollywood’s ongoing saga; it’s a gratifying culmination of his long-standing aspirations. For over a decade, Villeneuve has made no secret of his desire to take the reins of the beloved franchise. His admiration for James Bond

In a phenomenal stride toward establishing itself as a powerhouse in the film industry, Shinfield Studios has successfully procured a staggering £250 million (approximately $340 million) in funding. Nestled in the south of England, this studio has already begun to make waves with major projects like *Ghostbusters: Frozen Empire* and *The Acolyte*. This impressive financial